翻訳と辞書 Words near each other ・ Houser Memorial ・ Houser Peak ・ Houser-Conklin House ・ Houserville Site ・ Houserville, Pennsylvania ・ Houses At 16-22 East Lee Street ・ Houses at 1907-1951 N. 32nd St. ・ Houses at 208–218 East 78th Street ・ Houses at 216-264 Ovington Ave. ・ Houses at 2501-2531 Charles Street ・ Houses at 28-36 Beacon Street ・ Houses at 37–47 North Fifth Street ・ Houses at 76-96 Harvard Avenue ・ Houses at 838-862 Brightridge Street ・ Houses at Auvers ・ Houses at l'Estaque ・ Houses for Visiting Mathematicians ・ Houses in Motion ・ Houses in Sycamore Historic District ・ Houses of Laymen ・ Houses of Mississippi River Men Thematic Resource ・ Houses of Parliament (disambiguation) ・ Houses of Parliament (Monet series) ・ Houses of Parliament Act 1837 ・ Houses of Parliament, Cape Town ・ Houses of Refuge in Florida ・ Houses of the Blooded ・ Houses of the Holy ・ Houses of the Holy (disambiguation) ・ Houses of the Holy (song) Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Houses at l'Estaque ： ウィキペディア英語版 Houses at l'Estaque ''Houses at l'Estaque'' (French: ''Maisons à l'Estaque'') is a 1908 oil painting by Georges Braque. It is considered either an important Proto-Cubist landscape〔Ganteführer-Trier, Anne; Grosenick, Uta (2004). ''Cubism'' Taschen 9783822829585〕 or the first Cubist landscape.〔Kuiper, Kathleen (2009). ''The Britannica Guide to Theories and Ideas That Changed the Modern World.'' The Rosen Publishing Group, ISBN 9781615300631〕 The painting prompted art critic Louis Vauxcelles to mock it as being composed of cubes which led to the name of the movement.〔Chilvers, Ian; Glaves-Smith, John (2009). ''A Dictionary of Modern and Contemporary Art.'' Oxford University Press, ISBN 9780199239658〕 It is a response to works by Paul Cézanne who also lived in L'Estaque at times.〔Green, Christopher (2003). ''Art in France, 1900-1940.'' ''Yale University Press'', ISBN 9780300099089〕 ==History== This painting by Braque was refused at the Salon d'Automne in 1908. Louis Vauxcelles recounted how Matisse told him at the time, "Braque has just sent in (the 1908 Salon d'Automne ) a painting made of little cubes".〔(Alex Danchev, ''Georges Braques: A Life'', Arcade Publishing, 15 nov. 2005 )〕 The critic Charles Morice relayed Matisse's words and spoke of Braque's little cubes. The motif of the viaduct at l'Estaque had inspired Braque to produce three paintings marked by the simplification of form and deconstruction of perspective.〔''Futurism in Paris - The Avant-garde Explosion'', Pompidou Center, Paris 2008〕 Six landscapes painted at L'Estaque signed Georges Braque were presented to the Jury of the Salon d'Automne: Guérin, Marquet, Rouault and Matisse rejected Braque's entire submission. Guérin and Marquet elected to keep two in play. Braque withdrew the two in protest, placing the blame on Matisse.〔 ''Houses at l'Estaque'' is a Proto-Cubist painting consisting both of Cézannian trees and houses depicted in the absence of any unifying perspective. Houses in the background do, however, appear smaller than those of the foreground, consistent with classical perspective. Following the rejection of Braque's paintings, Daniel-Henry Kahnweiler offers the artist a one-person show at his gallery on a small street situated behind La Madeleine, Paris. Apollinaire writes of the paintings exhibited nothing about cubes, but mentions "the synthetic motifs he paints" and that he "no longer owes anything to his surroundings". It was Vauxcelles who called Braque a daring man who despises form, "reducing everything, places and a figures and houses, to geometric schemas, to cubes.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Houses at l'Estaque」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.